![]() ![]() ![]() You will quickly learn what is important.Whether you’re creating a production or simply recording live music, these are the must have plugins for FL Studio. ![]() What do you like? What affect does your distance from the mic have? Angle of address into the mic? Experiment, keep notes. For example, if you are recording at home, make a test recording in every rooms and from several locations in each (don’t forget to say in the recording where you are ), then listen to them. When you find something that works, use it. No amount of reading stuff about it will beat you systematically trying out different things and seeing how it affects the sound. Recording a good vocal is one of those things that takes practice. You: Your vocal performance, room treatment (sound), mic placement and mixing decisions are just as important as all the technology. Again $200 to $300 is well spent and will get you a clean (enough) preamp stage. Examples include the EMU 0404 & Edirol UA-25EX. ![]() Vocals are reasonably loud so you shouldn’t need to be ‘cranking’ the gain to get a good signal. Here a mid-range audio-interface will do the job. Mic preamp: The primary purpose of the mic preamp is to boosting the signal from the mic without adding noise to it and to provide 48V_phantom power (in the case of the mics above). Simply, you don’t need to spend a lot these days to get a great vocal sound. However, if you go beyond the $500-$600 price-point, nearly all the technological advances in microphone fidelity have been covered and you start paying heavily for brand and other elusive audio qualities that are argued about endlessly in recording forums. You can, of course, pay a lot more, easily $2500+. The LDC design format is favoured for studio vocal recording duties. These are ‘Large Diaphragm Condenser microphones’ (LDC), a design that is particularly good at picking up the subtleties of the human voice. #Vocal presets for fl studio proExamples include the Rode NT1-A, Behringer B2 Pro & Audio_Technica_AT2050. Thanks to the explosion in home studios over the last decade, ‘professional’ quality mics can easily be found in the $200 to $300 USD range. #Vocal presets for fl studio professionalYour microphone: When you are using a professional quality mic you shouldn’t need to make any radical EQ & compression changes to get a good sound. If you have the opposite problem and these are too loud, check our Vocal De-essing video. Above 10-12 kHz can add a sense of ‘airiness’. A gentle rising boost here can help to brighten up the sound. Sounds above 8 kHz are mostly associated with fricatives (‘s’, ‘t’, ‘k’, ‘f’ sounds). A little boost in this range can also help to bring the speech out. Most speech/song energy is between 1 to 3 kHz so keeping this range relatively open in the music can really help your vocals to cut through. Generally it’s best to make minor adjustments in the vocal range (+/- a few dB). Also don’t forget you can automate (ride) the vocal gain.Įqualization: Unless you are after some radical effect, EQ should be treated with respect (assuming you have a good quality microphone to begin with). Experiment with the Threshold (30% to 70% the amplitude of the peaks), Compression Ratio (between 1.5:1 to 3.0:1) & Gain settings to taste. Compression is one of the most useful tools for achieving a better balance, raising the quiet parts relative to the loud parts, evening out their dynamic range and making them easier to mix. For this reason, vocals can be difficult to sit in a mix without some extra processing. When you turn up the vocal to compensate then the loud sounds can peak and clip your mix or just sound too loud. You can check out the final track at YouTube or discuss it in Looptalk.Ĭompression: Many speech/singing sounds don’t carry a lot of sound energy so they tend to be lost under the music and become difficult to hear. Thanks to C-Note NeSmith for the loan of his project. In this tutorial we look at Compression, Equalization and check out some vocal embellishments. ![]()
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